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Bouvet, a film actor, having in a moment of bewilderment accepted to perform at the theater, finds himself in exile in Clermont-Ferrand, facing a text of 15,432 recalcitrant words.

“Describe a lost film by Lionel Soukaz; it was called La Vérité nue. And to do so, evoke the figure of the filmmaker, who passed away this year.” 　　Made after Soukaz’s death, this film, almost without images, is an elegy and a testimony. In it, Xavier Baert meditates on Soukaz’s cinema, on their relationship, and on the survival capacity of images: how to describe what has been lost.

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她来自这里，从爪哇前来短暂停留。他来自越南，在这里长期居住。随着时间流逝，他们与祖国失去联系。法国的她，越南的他上演一个故事。

她来自这里，从爪哇前来短暂停留。他来自越南，在这里长期居住。随着时间流逝，他们与祖国失去联系。法国的她，越南的他上演一个故事。

With the use of expressionist cutting and lyrical movement, KNOUT concentrates on a young woman who sets down to the task of tying rope. She meets a doppelganger version of herself, and a vicious confrontation of self occurs.

With the use of expressionist cutting and lyrical movement, KNOUT concentrates on a young woman who sets down to the task of tying rope. She meets a doppelganger version of herself, and a vicious confrontation of self occurs.

John Gregory, who is a seventh son of a seventh son and also the local spook, has protected the country from witches, boggarts, ghouls and all manner of things that go bump in the night. However John is not young anymore, and has been seeking an apprentice to carry on his trade. Most have failed to survive. The last hope is a young farmer's son named Thomas Ward. Will he survive the training to become the spook that so many others couldn't?